List of plays adapted into feature films
Appearance
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This is a list of plays that have been adapted into feature films. Entries are sorted alphabetically by the title of the play. The title of the play is followed by its first public performance, its playwright, the title of the film adapted from the play, the year of the film and the film's director. If a film has an alternate title based on geographical distribution, the title listed will be that of the widest distribution area. This is a dynamic list and may never be complete. It is limited to entries in which either the play or its film adaptation have an existing article on the English-language wikipedia.
List of plays adapted into feature films
[edit]0-9
[edit]Play | Playwright | Film | Film director |
---|---|---|---|
1918 (1979) | Horton Foote | 1918 (1985) | Ken Harrison |
The 24th Day | Tony Piccirillo | The 24th Day (2004) | Tony Piccirillo |
27 Wagons Full of Cotton (1946)[1] | Tennessee Williams | Baby Doll (1956) | Elia Kazan[2] |
29+1 | Kearen Pang | 29+1 (2017) | Kearen Pang |
39 East (1919) | Rachel Crothers | 39 East (1920) | John S. Robertson |
7 Minutes | Stefano Massini | 7 Minutes (2016) | Michele Placido |
77 Park Lane | Walter C. Hackett | 77 Park Lane (1931) | Albert de Courville |
77 Rue Chalgrin (1931) | Albert de Courville | ||
Between Night and Day (1932) | Albert de Courville Fernando Gomis | ||
8 femmes (1958) | Robert Thomas | 8 Women (2002) | François Ozon |
84 Charing Cross Road (1981) | James Roose-Evans | 84 Charing Cross Road (1987) | David Jones |
A
[edit]B
[edit]C-Z
[edit]See also
[edit]- Film adaptation
- Lists of film source material
- List of musicals adapted into feature films
- Category:Films based on works by William Shakespeare
- List of William Shakespeare screen adaptations
References
[edit]- ^ Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.
- ^ An editor's section in Kazan on Directing, (Kazan, Elia (2009). Kazan on Directing. New York: Alfred A. Knopf. p. 196. ISBN 9780307264770.) describes how Williams and Kazan collaborated on the story. Kazan as being the one who first put the two plays together, although The Long Stay is a secondary plot arc. Kazan initially wrote the story with a vengeful, violent ending, while Williams advocated a more ambiguous ending. Kazan acquiesced, and is not credited as a writer. Williams was involved in the writing periodically throughout filming.
- ^ a b Gardner, Lyn (27 January 2012). "Alfie". The Guardian.
- ^ 'Film Of Anastasia', The Times, 23 Sep.1953, p2
- ^ Holden, Stephen (April 7, 1995). "Bar Girls (1994) FILM REVIEW; Where the Girls Are. (Not the Beach.)". The New York Times.
- ^ Wyatt, Nelson (29 January 2012). "Journey to Oscars began at the theatre for Canadian makers of 'Monsieur Lazhar'". The Canadian Press.
- ^ Hollinger, Hy (July 29, 1959). "Film Reviews: Blue Denim". Variety. p. 6.
- ^ Ebert, Roger (December 25, 1986). "Brighton Beach Memoirs". Chicago Sun-Times. Archived from the original on July 13, 2012. Retrieved February 28, 2017.
- ^ Canby, Vincent. "A Doll s House (1973)". The New York Times. Retrieved 12 March 2014.
- ^ Smith, Richard Harland. "Equus (1977)". Turner Classic Movies. Retrieved 24 October 2016.
- ^ Variety film review; February 27, 1957, p. 6.